tag:blogger.com,1999:blog-58651132012-02-02T19:04:34.247Z|_| Mariposa de Obsidiana |_|<strong>0|1...ON|OFF...¿Águila o sol?</strong>gnoreply@blogger.comBlogger1251100tag:blogger.com,1999:blog-5865113.post-74805642904154960822011-12-21T23:02:00.007Z2012-01-20T11:32:42.843ZGonçalo Felino [||||||]SCIENCE & CIVILISATION IN CHINA, JOSEPH NEEDHAM gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-63104778174308984422011-10-21T17:34:00.011+01:002011-12-22T23:08:23.782ZBugatti 57S(C) Atlantic 1938Bugatti 57C Stelvio 1938gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-22230651588660569802011-09-13T15:45:00.004+01:002011-10-21T18:01:25.019+01:00 MATTHEW HERBERT | bodily functions |gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-54489729380299825962011-06-02T16:40:00.004+01:002011-09-13T15:52:19.588+01:00Grammars of Creation_GEORGE STEINEROn What Matters_DEREK PARFITgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-38297325565618042602011-05-17T12:10:00.003+01:002011-06-02T16:45:53.088+01:00Endgame_SAMUEL BECKETTgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-63225196674357735232011-02-04T19:20:00.006Z2011-05-17T12:10:37.229+01:00_|gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-58682346568016117062011-01-11T11:46:00.004Z2011-02-04T17:33:31.472ZAdventures of Huckleberry Finn (Tom Sawyer's Comrade)_MARK TWAINgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-74899540353150488452011-01-04T23:35:00.004Z2011-01-11T11:50:28.278ZMystery Train JIM JARMUSCHgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-57450125255894509462010-12-28T15:57:00.002Z2011-01-04T23:37:45.373Z KANYE WEST | My Beautiful Dark Twisted Fantasy | Roc-A-Fella Records |gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-35441633864248225602010-12-23T22:14:00.004Z2010-12-28T16:02:03.877ZPIERO DELLA FRANCESCA Natività 1470 Panel 124,5 x 123 cm paintinggnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-10660222803931521882010-12-23T16:30:00.013Z2010-12-23T22:14:02.978ZA Christmas Carol_CHARLES DICKENSEl Ingenioso Hidalgo Don Quijote de la Mancha_MIGUEL DE CERVANTESAnna Karenina_LEO TOLSTOYWar and Peace_LEO TOLSTOYUlysses_JAMES JOYCEA Portrait of the Artist as a Young Man_JAMES JOYCEAlice's Adventures in Wonderland_LEWIS CARROLLThrough the Looking-glass_LEWIS CARROLLMoby Dick_HERMAN MELVILLEThe Republic_PLATOHeart of Darkness_JOSEPH CONRADThe Raven|Le gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-70934044808669000022010-12-04T01:36:00.003Z2010-12-23T22:11:48.799ZDe vinculis in genere_GIORDANO BRUNOgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-66409912940198685272010-12-04T01:08:00.005Z2010-12-04T01:46:21.298Z Flash Art gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-31980820473744251072010-11-14T00:03:00.009Z2010-12-04T01:10:43.738ZJEFF WALL A Sudden Gust of Wind(after Hokusai) 1993 Photographic transparency and illuminated display case 2500 x 3970 x 340 mmJEFF WALL Dead troops talk. A vision after an ambush of a Red Army Patrol near Mogor, Afghanistan (Winter 1986) 1991-1992 Photographic transparency and illuminated display case 229 x 417 cmgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-90740897058468846492010-11-13T17:54:00.007Z2012-01-20T11:47:03.490ZRICHARD HAMILTON Towards a definitive statement on the coming trends in men's wear and accessories (a) Together let us explore the stars 1962 Oil, cellulose paint and collage on wood support: 610 x 813 mm frame: 809 x 1011 x 810 mm paintingSTAN GETZ/JOÃO GILBERTO/ANTÓNIO CARLOS JOBIM/ASTRUD GILBERTO | Verve Records |gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-33444661158700204382008-02-08T03:07:00.000Z2008-02-08T03:45:49.715Z0|1...ON|OFF...¿Águila o sol?gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-22993936283264227622007-10-11T01:49:00.004+01:002010-11-14T01:54:56.154Z CORNELIUS | POINT | Matador Records | Point of view Colorações | Colorationsgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-44502659308905302382007-06-06T02:04:00.001+01:002009-02-04T00:47:43.323ZSangue, precisa-se: novognoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-61059395485650481752007-04-23T17:07:00.002+01:002009-02-04T00:48:02.802Z ARTFORUM gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-34483563699306892452007-03-11T05:44:00.008Z2012-02-02T19:04:34.256ZJack presents LAWRENCE WEINER Nach Alles | After All 2000 language dimensions variable When you are dealing with language, there is no edge that the picture drops over or drops off. You are dealing with something completely infinite. Language, because it is the most non-objective thing we have ever developed in this world, never stops.Lawrence WeinerA conversation with Lawrence Weiner gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-40282136311701472292007-03-04T03:32:00.006Z2011-09-13T15:08:42.743+01:00WALKER EVANS TRUCK AND SIGN 1930| photography |PAUL STRAND Blind 1916| photography |gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-28640279922765537802007-02-28T23:03:00.003Z2009-02-08T18:34:14.028ZGORDON MATTA-CLARK still from Freshkill 1972| color film | 12:56 min | soundtrack | 16mm |gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1169520138965436712007-01-23T02:40:00.001Z2009-02-03T02:08:09.869ZHEAT PAUL MORRISSEYgalinskygnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1166496065258346392006-12-19T02:40:00.003Z2009-02-03T02:53:13.647ZBlue Velvet DAVID LYNCHPAUL D. MILLER aka Dj SPOOKY that Subliminal Kid RHYTHM SCIENCE | Cambridge,London | The MIT Press | 2004gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1162506358095094872006-11-02T22:25:00.002Z2011-09-13T15:19:45.101+01:00À bout de souffle JEAN-LUC GODARDÉloge de l'amour JEAN-LUC GODARDEnd Game: Some thoughts provoked by recent exhibitions, and Godard's Éloge de l'amour JON JOSTgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1160792758222151722006-10-14T03:17:00.001+01:002008-03-02T03:58:55.836ZSalò o le centoventi giornate di Sodoma PIER PAOLO PASOLINILes cent-vingt journées de SodomeDONATIEN ALPHONSE FRANÇOIS de SADEgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1160016407026925272006-10-05T03:44:00.000+01:002006-12-20T01:28:49.306ZPreface to God and Golem, Inc. NORBERT WIENERPreface to Gramophone, Film and Typewriter FRIEDRICH A. KITTLERIntroduction to Gramophone, Film and Typewriter FRIEDRICH A. KITTLERSix Degrees of Interconnection DUNCAN J. WATTSThe Interface as a New Aeshetic Category LEV MANOVICHgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1159493514285526492006-09-29T02:28:00.002+01:002010-11-13T16:19:23.500ZCARAVAGGIO Narciso 1546-48| olio su tela | 113,3x95 cm |PIER PAOLO PASOLINI LA LUCE DI CARAVAGGIO. Saggi sulla letteratura e sull’artegnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1159490766539591422006-09-29T01:41:00.000+01:002006-12-19T02:55:13.773ZJONATHAN CRARY SUSPENSIONS OF PERCEPTION | Cambridge,London | The MIT Press | 1999gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1159482759025250812006-09-28T23:32:00.000+01:002006-12-09T18:31:28.396ZMáquinaTudo é nadaTudo é «máquina de máquinas,com as suas ligações e conexões»Nada é máquina de máquinas,mesmo com as suas ligações e conexõesNada é tudoAssim, «tudo se jogana qualidade humana das ligações» e conexõesgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1153359984839449322006-07-20T02:46:00.002+01:002009-02-03T02:18:25.634ZOSSESSIONE LUCHINO VISCONTIgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1149041981031728532006-05-31T03:12:00.000+01:002006-12-09T18:56:36.760ZMariposa de ObsidianaMataron a mis hermanos, a mis hijos, a mis tíos. A la orilla del lago Texcoco me eché a llorar. Del Peñon subían remolinos de salitre. Me cogieron suavemente y me depositaron en el atrio de la Catedral. Me hice tan pequeña y tan gris que muchos me confundieron con un montoncito de polvo. Sí, yo misma, la madre del pedernal y de la estrella, yo, encinta del rayo, soy ahora la gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1147312297876066852006-05-11T02:49:00.000+01:002006-12-11T01:00:56.950ZIl Deserto Rosso MICHELANGELO ANTONIONIgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1145677034873317002006-04-22T04:35:00.000+01:002006-10-12T03:44:51.323+01:00Il Gattopardo LUCHINO VISCONTIIl GattopardoGIUSEPPI TOMASI di LAMPEDUSAgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1144286763070120972006-04-06T02:25:00.001+01:002009-02-03T02:38:23.577ZJEAN-CLAUDE LEBENSZTEJN ZIGZAG | Paris | Flammarion | 1981Z 3I 95 G 189Z 285A 375G 469A conversation with Jean-Claude Lebensztejngnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1144285032204747332006-04-06T01:52:00.000+01:002007-03-11T01:32:45.574ZFRANCIS BACON Fragment of a Crucifixion 1950| Oil on canvas |FRANCIS BACON Three studies for figures at the base of crucifixion 1944| Oil on board |gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1141955502280662862006-03-10T01:48:00.001Z2010-11-13T16:26:53.875ZHERZOG & de MEURON Dominus Winery in Napa Valley | California | USAgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1141954977716365962006-03-10T01:37:00.000Z2006-06-01T21:34:23.463+01:00HERZOG & de MEURON: In Process Walker Art Centergnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1141952671900763282006-03-10T00:59:00.000Z2006-04-06T03:51:43.960+01:00FRANCIS PICABIA L'enfant carburateur 1919| Oil, enamel, metallic paint, gold leaf, pencil, and crayon on stained plywood |Manifeste Cannibal DadaVous êtes tous accusés, levez-vous.L'orateur ne peut vous parler que si vous êtes debout. Debout comme pour la Marseillaise, debout comme pour l'hymne russe, debout comme pour le God save the king, debout comme devant le drapeau. Enfin debout devant DADAgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1139966521549061692006-02-15T01:21:00.001Z2008-03-02T04:09:18.751ZHow Art Can Save Your Life HAL FOSTERHAL FOSTER DESIGN AND CRIME (and other diatribes) | London/New York | Verso | 2002gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1139783597189515662006-02-12T22:31:00.000Z2006-10-12T00:05:47.806+01:00LEONARDO DA VINCI The Notebooksgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1139442723362728562006-02-08T23:49:00.002Z2009-02-03T02:46:18.192ZJOHANNES VERMEER van Delft Girl with a Pearl Earring 1662gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1139442055752998562006-02-08T23:39:00.003Z2011-09-13T15:41:57.416+01:00JHERONIMUS BOSCH Tríptico das Tentações de Santo Antão (1500)gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1137292371563009152006-01-15T02:32:00.001Z2009-02-03T03:40:16.012ZLAWRENCE WEINER Wild Blue Yonder 2002Digital project | 15:15 min | color | soundgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1137204018204610172006-01-14T01:47:00.000Z2006-01-15T06:10:28.156ZJOSEPH BEUYS Lightning with Stag in its Glare/Blitzschlag Mit Lichtschein auf Hirsch 1958-1985Aluminum, bronze, and iron, thirty-nine elements, dimensions variableTo make people free is the aim of art, therefore art for me is the science of freedom. Joseph Beuysgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1137200322945602282006-01-14T00:39:00.001Z2009-02-04T00:48:45.552ZGERHARD RICHTER Eight Grey 2002Eight enameled glass panels mounted on steel supports and hanging 50 cm from the wall500 x 270 cm eachA conversation with Benjamin H. D. Buchloh about working together with Gerhard Richter on Eight GreyMr. Buchloh, you’ve not only been friends with Gerhard Richter for decades, but have been connected to him through your artistic involvement as a critic. What was thegnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1137029577766842802006-01-12T01:27:00.000Z2006-02-22T17:39:57.316ZBRUCE NAUMAN One Hundred Live and Die 1984Tubos de neon montados em quatro monolitos metálicos | Neon tubing mounted on four metal monoliths118 x 132 1/4 x 21 polegadas | inchesJOSEPH KOSUTH Four Words Four Colors 1966Trabalho/peça em neon | Neon work/piecegnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1136680616288510512006-01-08T00:36:00.000Z2007-03-11T00:06:19.482ZHANS BELLMER Doll 1936 Alumínio pintado sobre base de bronze | Painted aluminum on bronze base| 26 x 10 x 11 em/in 66 x 25.4 x 27.9 cm |gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1136518968056737432006-01-06T03:42:00.000Z2007-03-11T02:09:38.862ZTen Dreams of Technology Steve DietzThe History of Communication Media Friedrich A. KittlerAn Introduction to Visual Culture Nicholas Mirzoeffgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1136517456255960472006-01-06T03:17:00.001Z2010-11-13T16:44:30.885ZMAN RAY Monument à D. A. F. de Sade 1933Fotografia | Photographgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1135282765410421862005-12-22T20:05:00.000Z2006-11-01T22:51:24.756ZO divino é a causa de deus, o humano a causa «do homem».A minha causa não é nem o divino nem o humano, não é o verdadeiro, o bom, o justo, o livre, etc.,mas exclusivamente o que é meu.E esta não é uma causa universal, mas sim...única, tal como eu.Para mim, nada está acima de mim!Der Einzige un sein Eigentum, Max StirnerIch hab' mein Sach' auf nichts gestelltFundei a minha causa sobre nadaPrimeiragnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1133227821341568382005-11-29T01:26:00.000Z2007-03-11T01:21:19.138Z : Sangue, precisa-se: novo Verão 2005gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1128646987029080522005-10-07T01:50:00.000+01:002007-01-28T03:00:55.470ZMulherE desse eléctrico trampolimnasce uma florestauma presença impenetrávela noite fecha-seo céu abre-seUma mulhermais cristalinaque essa gota de água vê-tefalao vento levanta-se:respiração de seios.Um fragmento afiadode luz bastaria parafazer saltar o mundouma flor escarlateem teus olhos, imóveisum e outro em cada instante,vagabundas arquitecturas:terraço sobre um tanque.gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1119972211766781812005-06-28T16:22:00.001+01:002009-02-04T00:50:06.280ZPessoaPessoa, sem obstáculos,Que duvidou sempre da realidade deste mundo,Onde a sua obra é a sua biografia E ele o obstáculoA realidade das suas ficçõescoabita com a irrealidadeda sua vida quotidiana Será a poesia o seu outro?¿É a poesia? Não:a poesia é o que fica e nos consolagnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1119749441432373342005-06-26T02:27:00.001+01:002010-11-13T16:46:23.438ZNum dado momento cheguei à conclusão de que vivemos numa situação que é como se estivéssemos num passeio da estrada e um amigo estivesse do outro lado e pretendessemos, digamos, que o nosso amigo comprasse cigarros, mas este não nos ouvia completamente devido ao tráfico. Assim teríamos de gritar e usar sinais de mão, sem que quaisquer destas possibilidades fosse uma imagem precisa do que gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1116954612030528972005-05-24T18:06:00.000+01:002006-10-12T00:25:41.740+01:00Poema de Manuel Maria FelinoO PensamentoO nosso pensamentoQuando é mauÉ tão lentoPensamos nas contasNos amoresE nas coisas chatasO pensamento está em nósNão o dizemosCom a nossa vozÀs vezes penso que estou a voarMas é só imaginaçãoTambém eu estou a pensar>>> Primavera de 2005gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1115397113379981112005-05-06T17:26:00.000+01:002006-11-16T04:42:18.960ZEntrevista >>> Octavio PazOutubro 1993 El Fondo de Cultura Económica ha empezado a publicar en México sus obras completas. ¿Qué significa para un autor la publicación de sus obras completas? - Una pregunta difícil. En primer lugar, lo más obvio: es una suerte de testamento, unas obras, unos escritos que se dejan a un legatario no expreso, al contrario, a una comunidad dispersa; la gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1114012985682046882005-04-20T17:01:00.001+01:002009-02-03T16:24:04.540ZThe Panopticon of Jeremy BenthamCTRL [ SPACE ]Rhetorics of Surveillancefrom Bentham to Big Brothergnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1112118313354685402005-03-29T18:41:00.001+01:002009-02-03T02:49:09.129ZMARCEL DUCHAMP Disques avec spirales | Rotorelief 1926 Parisgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1112117419567453142005-03-29T18:29:00.000+01:002006-11-16T04:43:05.956ZCyberspace. A consensual hallucination experienced daily by billions of legitimate operations, in every nation, by children being taught mathematical concepts...Lines of light ranged in the nonspace of the mind, clusters of data. Like city lights, receding.William Gibson, NeuromancerA Declaration of the Independence of Cyberspace, John Perry BarlowEFF : Electronic Frontier Foundationgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1111084328988452342005-03-17T18:23:00.000Z2006-10-12T01:39:49.126+01:00That our lives are so thoroughly a patchwork of such disconnected states is not a "natural" condition but rather the product of a dense and powerful remaking of human subjectivity in the West over the last 150 years. Nor is it insignificant now at the end of the twentieth century that one of the ways an immense social crisis of subjective dis-integration is metaphorically diagnosed is as a gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1111082415511842952005-03-17T17:55:00.000Z2006-10-12T02:17:10.206+01:00A Great Schoolgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1065227965398637442003-10-04T01:39:00.000+01:002006-10-11T04:36:59.620+01:00Toda a punição que não corrige, que só consegue revoltar o que a suporta, é uma infâmia gratuita que torna os que a impõem mais culpados aos olhos da humanidade, do bom senso e da razão, mil vezes mais do que aquele a quem ela é infligida.Donatien Alphonse François de Sadegnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1065225873264051632003-10-04T01:04:00.000+01:002006-10-17T01:55:45.896+01:00O homem, no acto de caiar, desloca eras inteiras. Arrasta-as sempre que efectua o mínimo gesto.Walter Benjamingnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1065145486326337752003-10-03T02:44:00.000+01:002006-10-16T03:07:02.680+01:00No hay otros paraísos que los paraísos perdidos.Jorge Luís Borgesgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1065126732951883442003-10-02T21:32:00.000+01:002006-10-17T01:21:58.066+01:00Nada nasce do nada...nada pode criar-se do nada...se assim fosse, nada necessitaria de semente.gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1065122988745639332003-10-02T20:29:00.000+01:002006-10-15T01:17:17.843+01:00O tempo tudo leva, o tempo tudo traz...siga a barca...gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064964068921728462003-10-01T00:21:00.000+01:002006-11-16T05:04:32.106Zthat's right, link, link, you never know… The Unnamable, Samuel Beckettgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064958208463796042003-09-30T22:43:00.000+01:002006-11-16T05:15:51.300ZSubjectivitynot only liberates itself,it liberates a totality of possibilities.It draws a new horizon.Toni Negri gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064957960804816652003-09-30T22:39:00.000+01:002006-10-17T01:55:03.470+01:00What can move around the world and yet remain stationery?Answer: A letter.gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064953021208958992003-09-30T21:17:00.000+01:002003-09-30T22:39:46.406+01:00Ars Electronicagnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064952828007171802003-09-30T21:13:00.000+01:002003-09-30T21:17:11.986+01:00documenta, kasselgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064952513642105802003-09-30T21:08:00.000+01:002003-09-30T21:14:00.723+01:00Kunsthochschule für Medien, Köln gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064952232793624922003-09-30T21:03:00.000+01:002006-10-14T01:56:04.750+01:00Dia: Dia Art Foundationgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064951294812214102003-09-30T20:48:00.000+01:002003-09-30T21:05:11.853+01:00Jodignoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064944715773588442003-09-30T18:58:00.000+01:002003-09-30T20:48:41.693+01:00Só graças à morte, a nossa vida nos serve para nos expressarmos.
Pier Paolo Pasolini, 1967gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064881138282655802003-09-30T01:18:00.000+01:002003-09-30T18:59:06.933+01:00Apesar da nossa intimidade de comunicações e compreensão popular da totalidade da Terra, recentemente desenvolvidas, também nós, em 1969, nos encontramos ainda politicamente organizados inteiramente em termos da exclusiva e absolutamente obsoleta separação das soberanias.
Esta “soberania” – imposta pela força das armas – “nacional”, à qual se encontram obrigados os humanos nascidos nas diferentesgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064792517345447142003-09-29T00:41:00.000+01:002006-01-14T04:33:45.833ZCINDY SHERMANUntitled Film Still #21. 1978.Collection The Museum of Modern Art, New York.Untitled Film Still #5. 1977.Collection The Museum of Modern Art, New York.Untitled Film Still #54. 1980.Collection The Museum of Modern Art, New York.Untitled Film Still #48. 1979.Collection The Museum of Modern Art, New York.gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064772471724029682003-09-28T19:07:00.000+01:002006-01-10T02:26:21.373ZThe Deleuze + Guattari Rhizomat Portalgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064770823912417762003-09-28T18:39:00.000+01:002003-09-28T19:08:02.516+01:00MoMA.orggnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064769619609109422003-09-28T18:20:00.000+01:002003-09-28T18:41:06.896+01:00Nietzsche/Derrida, Blanchot/Beckett: Fragmentary Progressions of the Unnamable,
by Stephen Barker
gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064768882001015132003-09-28T18:08:00.000+01:002003-09-28T18:20:42.100+01:00Mais nous devons aussi admettre que la littérature, actuellement du moins encore, constitue non seulement une expérience propre, mais une expérience fondamentale, mettant tout en cause, y compris elle-même, y compris la dialectique (...) l'art est contestation infinie.
Maurice Blanchotgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064768485094995892003-09-28T18:01:00.000+01:002003-09-28T18:08:25.873+01:00Doom Patrols, by Steven Shavirognoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064736111935943542003-09-28T09:01:00.000+01:002006-01-14T04:43:49.783ZMAN RAY Le Violon d’Ingres 1924gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064731181749389932003-09-28T07:39:00.000+01:002006-03-10T02:30:23.630ZEtant donnés : 1°) la chute d'eau, 2°) le gaz d'éclairageMARCEL DUCHAMP 1946-1966Le passage de la vierge à la mariéeMARCEL DUCHAMP 1912Roue de bicycletteMARCEL DUCHAMP 1913FontaineMARCEL DUCHAMP 1917gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064727595984669462003-09-28T06:39:00.000+01:002006-01-14T04:52:54.413Zgraphic design is...the most obiquitous of all the arts.gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064725655186400022003-09-28T06:07:00.000+01:002006-01-14T04:52:37.166ZFIRST THINGS FIRST.64FIRST THINGS FIRST MANIFESTO.00gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064725352949138592003-09-28T06:02:00.000+01:002003-09-28T06:08:03.233+01:00FIRST THINGS FIRST
- written by Ken Garland, London, 1964
We, the undersigned, are graphic designers, photographers and students who have been brought up in a world in which the techniques and apparatus of advertising have persistently been presented to us as the most lucrative, effective and desirable means of using our talents. We have been bombarded with publications devoted to this belief, gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064724316304612802003-09-28T05:45:00.000+01:002006-01-14T04:50:58.120ZÀ bout de soufflegnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064722023768418822003-09-28T05:07:00.000+01:002006-01-14T04:51:42.040ZDonna Haraway, A Cyborg Manifestognoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064721673095938602003-09-28T05:01:00.000+01:002003-10-04T02:13:00.620+01:00O Sangue, 1989
Pedro Costa
Portugal
95'
35mm
O sangue
Portugal, 1989.
Produtor: Vitor Goncalves.
Realizador: Pedro Costa.
Director de Fotografia: Martin Schäfer.
Argumento: Pedro Costa.
Montagem: Ana Luisa Guimarães.
Música: Igor Stravinsky.
Com: Pedro Hestnes, Inês Medeiros, Luis Miguel Cintra, Isabel de Castro.
Duração, 95 minutos.
Distribuição: NFM/IAF.
Entrevista a Pedro Costa:
O que é gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064719545023884242003-09-28T04:25:00.001+01:002010-11-13T23:49:07.506ZMy Obsessiongnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064719471992877912003-09-28T04:24:00.001+01:002010-11-13T23:49:44.431ZThe Spirit of Mega gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064719326674149132003-09-28T04:22:00.001+01:002010-11-13T23:50:22.108ZMother Earth Mother Boardgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064717111249739782003-09-28T03:45:00.000+01:002003-10-04T02:15:46.416+01:00Extractos de uma carta de Stéphane Mallarmé a André Gide, Quatorze Mai 1897:
«Le poème s'imprime, en ce moment, tel que je l'ai conçu ; quant à la pagination, où est tout l'effet. Tel mot, en gros caractères, à lui seul, domine toute une page de blanc et je crois être sûr de l'effet. [..] La constellation y affectera, d'après des lois exactes, et autant qu'il est permis à un texte imprimé, gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064716410218682382003-09-28T03:33:00.001+01:002010-11-13T23:42:03.038ZUn Coup De Désgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064714807489187922003-09-28T03:06:00.002+01:002010-11-13T23:47:35.892ZAll the Vermeers in New York, JON JOSTgnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064711279950025252003-09-28T02:07:00.000+01:002003-10-01T22:02:15.970+01:00Moby Dick
Epilogue
«AND I ONLY AM ESCAPED ALONE TO TELL THEE.»
Job.
THE DRAMA'S DONE. Why then here does any one step
forth? - Because one did survive the wreck.
It so chanced, that after the Parsee's disappearance, I was
he whom the Fates ordained to take the place of Ahab's
bowsman, when that bowsman assumed the vacany post; the
same, who, when on the last day the three men gnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064693167697514322003-09-27T21:06:00.000+01:002005-03-17T17:44:53.710Zexperimenta...äda'web, engageRCCS WelcomeVoS - Voice of the ShuttleTate ModernCtheory.netnothing.orgMusée d'Art Moderne Grand-Duc Jeangnoreply@blogger.comtag:blogger.com,1999:blog-5865113.post-1064684223609207532003-09-27T18:37:00.000+01:002006-02-22T17:37:21.830ZThe Work of Edgar Allan Poe.gnoreply@blogger.com